Telemann’s sonatas, published in 1728, are ''methodical'' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they also provide an ornamented variant each time. Henle publishers commend this instructive and, at the same time, very enjoyable music to today’s flautists and violinists. G. Henle's luxurious new publication offers a solo and basso-continuo part in which the two instrumental lines are aligned for o