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Pergolesi, Giovanni Battista: Barenreiter Female Choir: Stabat mater Arranged for female choir SMA

score

Edited by Bruno, Malcolm
Instrumentatie: SSolo/MezSolo/ASolo/female choir:SMezA/2V/Va/Bc(Vc/double bass/Org)
Perioada: Baroque
Greutate: 0.235 kg
Editor: Bärenreiter
Numar articol: BA5692
Numarul original al articolului la editor: BA05692
ISBN: 9790006535446

Pergolesi’s famous Stabat mater, a work for two soloists, strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from veryearly on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists.

In this edition, the outer movements and no. 8 are now scored for three-part choir (Sop, MezSop, Alto)in contrast to the solo aria movements.

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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