The surviving autograph of Franz Liszt’s b-minor Sonata is a fascinating document that illuminates the compositional process: many cuts and paste-overs show how Liszt refined the architecture of the work. The previously available facsimile of theautograph in the Henle catalogue also allowed a profound look into this work process ╩ but it was not possible to see what Liszt had originally notated in the passages that were pasted over. These paste-overs have since been removed and in our newedition