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Händel, Georg Friedrich: I will magnify thee

Score

Edited by Hendrie, Gerald
編成: Voice, choir and orchestra
編成: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/Ob/Str/Bc
シリーズ: Bärenreiter Urtext
時代: Baroque
難易度: 3
重量: 0.265 kg
出版社: Bärenreiter
カタログ番号: BA4264
出版社管理番号: BA04264
ISMN: 9790006527168
Handel's four anthems were all composed during his London period in the Chapel Royal .
'As pants the hart', his fifth setting of this Psalm text, was written in March 1738 for performance at a benefit concert for the King's Theatre in the Haymarket. Until just before Handel's first visit to England , the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works (O sing unto the Lord HWV 249a, I will magnify thee HWV 250b, As pants the hart HWV 251e, Let God arise HWV 256b), with their orchestral accompaniments, thus represent something akin to a new genre in English church music.
The four anthems are presented in clearly laid out vocal scores with easy-to-play piano reductions based on the Urtext from the 'Halle Handel Edition'. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full s cores and vocal scores also contain a German translation along with the original English.
Scoring
HWV 249a: soloists (AB), chorus (SATB) flute, 2 oboes, 2 trumpets, strings, continuo
HWV 250b: soloists (SATB), chorus (SATB), oboe, strings, continuo
HWV 251e: soloists (SAATBB), chorus (SAATBB), 2 oboes, strings, continuo
HWV 256b: soloists (AB), chorus (SATB), oboe, strings, continuo
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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