Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewerof the original edition noted in 1818 that they doubtless number among the most unusual andpeculiar things written in a long while. Proceeding from the established Classical schema, here Beethoven sounds out possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello ouvre. TheSonata in D-major reflects Beethoven's preoccupati