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Šporcl, Pavel: Where Is My Home

Virtuoso variations on the Czech national anthem for Solo Violin

partition de concert

Instrumentation: Violon
Instrumentation: V
Degré de difficulté: 4
Pages: 10 pp
Poids: 0.096 kg
Editeur: Bärenreiter
Numéro d’édition: H8039
Cotage de l'editeur: H08039
ISMN: 9790260108462
The leading Czech violinist Pavel Šporcl dedicated his virtuoso variations on the Czech national anthem to 'his homeland'. The song Kde domov muj (Where Is My Home) originates from Josef Kajetán Tyl's play Fidlovacka aneb Žádný hnev a žádná rvacka (Fidlovacka or No Anger and No Brawl) premiered at the Estate Theatre in Prague on 21 December 1834. The music was composed by František Škroup. The song quickly gained nation-wide popularity and became the national anthem.
In his Foreword, Pavel Šporcl provides violinists with guidance on how to interpret the piece: '” The base plan of the composition, which should always be maintained in performances consists of the introduction, the theme, variations nos. 1, 3 and 6 (from a total of eight), and the finale. It is up to the musician to choose which of the other variations to include in a concert performance”'
Šporcl recorded his variations on the Czech national anthem - the CD was released by Šporcl Arts Agency s.r.o. in 2016.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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