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Martinu, Bohuslav: Sonata I.

for Violoncello and Piano

partition de concert

Transcrit par Brezina, Aleš
Instrumentation: Violoncelle et piano
Instrumentation: Vc/piano
Période: 20e siecle
Poids: 0.303 kg
Editeur: Bärenreiter
Numéro d’édition: H7893
Cotage de l'editeur: H07893
ISMN: 9790260102002
Editio Barenreiter Praha presents a newly revised editionof Cello Sonata No. 3 by BohuslavMartinu - one of the most prolific and versatile Czech composers of the firsthalf of the 20thcentury. In view of the fact that the first and, to date, widely used printededition of theSonata contains a series of fundamental and what are often arbitrary changesand revisionsto the original manuscript, it was not considered as a basis for this modern,urtext edition.Editor Ales Brezina (whose alterations to the score are marked in squarebrackets) hasconsistently kept very close to Martinu's manuscript, faithfully capturing allthe nuancesof this popular work, which is frequently performed all over the world.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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