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Novák, Jan: Iubilationes per organo

partition de concert

Instrumentation: Orgue
Instrumentation: Org
Poids: 0.147 kg
Editeur: Bärenreiter
Numéro d’édition: H7865
Cotage de l'editeur: H07865
ISMN: 9790260101210
Jan Novak's (1921 - 1984) Iubilationes (Nova Rise (New Empire) 1921 - Neu Ulm 1984) are one of these works, which can be described as being typical organ music. Both sections basically make use of two organ sound positions. The Iubilatio matutina is based on the lustre of the organ's stops and in its concept resembles the style of High Baroque preludes and fugues. Its festive tones evoke an atmosphere of joy. On the other hand, the Iubilatio nocturna has a chamber music-like tone and makes use of the great sound diversity of the instruments. In its character it calls to mind the contemplation of a lonely man in the silence of the night. However the composer merges this character contrast in both sections into one precise thematic work and internal links, which makes this cycle a brilliant composition filled with rising invention and great feeling for all the specific qualities of this regal instrument.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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