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Suk, Josef: Elegy 2

partition de concert

Op. 23
Instrumentation: V-solo/Vc-solo/StrQuar/Harmm/harp
Période: Moyen-age, romantique
Poids: 0.192 kg
Editeur: Bärenreiter
Numéro d’édition: H7404
Cotage de l'editeur: H07404
ISMN: 9790260106697
For the first anniversary of the death of Julius Zeyer, a celebration was organised in his memory from 31 May to 1 June 1902, which took place in the Queen Anne's Pavilion and the Castle garden, and which developed into an important social event. Suk composed his Elegy for the occasion - it was performed (inside the pavilion, on the temporary stage with scenery) as an introduction to the 'living picture' When the Sun Set on Vysehrad: at the closing of Suk's piece, the curtains lifted and the living picture appeared on the stage. Vysehrad is Zeyer's famous cycle of five epic poems titled Libuse, The Green Victor, Vlasta, Ctirad and Lumír (figures from Czech mythology). The Elegy was composed for solo violin and cello accompanied by strings, harmonium and harp, and it exists also in the composer's arrangement for piano trio (H 7807).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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