Introducing his new player-friendly edition of the Haydn Quartets, Simon Rowland-Jones writes: 'There can be no such thing as a final, perfect version, Haydn left too many questions open.'

The new Peters Edition isfounded upon this honest assessment. By heightening our awareness of the questions that remain 'open', this edition liberates the interpretative inspiration of performers as never before. As a result, the new edition is likely tobecome indispensable for all who perform or stud