Éditions Max Eschig presents the fourth volume of its critical edition of Heitor Villa-Lobos’ collected works for solo guitar edited by Frédéric Zigante. The pieces are his famous Chôros n° 1 and, appearing in print for the very first time, twopieces written in his youth: Simples (1911) and Valsa Concerto n° 2 op. 8 (1904).

This edition is the result of careful analysis of all available sources and is prefaced by an introduction that looks at the historical and musicologicalbackground (in