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Mozart. Das Bilderbuch

livre

Paroles de Ewert, Hansjörg
Instrumentation: Livres
Pages: 32 pp
Poids: 0.438 kg
Editeur: Bärenreiter
Numéro d’édition: BVK1772
Cotage de l'editeur: BVK01772
ISMN: 9783761822043
This illustrated Mozart biography is aimed at six- to twelve-year-old readers interested in Mozart, his music, and the circumstances of his life.
Hansjörg Ewert's thoroughly researched and fluently written text introduces readers to Mozart's life and works. The book is structured chronologically: the opening chapters are devoted to Mozart the child prodigy, followed by depictions of the major way-stations in his life and travels and ending with an account of his final composition, the ' Requiem'.
The chapters are presented across adjoining pages, with Dietmar Griese's lovingly detailed and uncluttered drawings ensuring clarity. Although the picture-book format requires that the chapters be short, Ewert succeeds in conveying an impression of what makes Mozart's music tick, how it relates to the musical currents of his age, and what external circumstances he sometimes had to put up with (e.g. in the chapters on Janissary music, dances pieces, and operas). Thus, as a welcome side e ffect, the book also presents the portrait of a bygone era.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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