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Sassmannshaus, Egon – Sassmannshaus, Kurt: Early Start on the Violin 1

A violin method for children aged four and older

playing score

Instrumentation: Violon
Instrumentation: V
Collection: Bärenreiter's Sassmannshaus
Genre: Méthode
Langue: English
Pages: 64 pp
Poids: 0.313 kg
Date du parution: Mars 2014
Editeur: Bärenreiter
Numéro d’édition: BA9676
Cotage de l'editeur: BA09676
ISMN: 9790006536405

Early Start On The Violin: A Violin method for children aged four and older.

Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the endof the first book, many English children’s songs using all fingers have been played and note values from whole to eighth notes have been introduced. Even the easiest exercises are underlaid with text so that melodies can beperceived as a whole.

The authors:
The

Contenu

1.
Preface
2.
Note Values And Symbols
3.
Open Strings
5.
The Fourth Finger
6.
The Triad
7.
The First Finger
8.
String Crossing And Fingerings On Different Strings
9.
The Third Finger
10.
String Crossing
11.
Accidentals
12.
Scales On Two Strings
13.
More Exercises, Songs And Stroke Patterns
14.
New Stroke Patterns
15.
Slurred Notes
16.
The Portato Stroke
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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