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Smetana, Bedrich: Album Leaves

partition de concert

Édité par Novák, Jan
Instrumentation: Piano
Instrumentation: piano
Période: Moyen-age, romantique
Poids: 0.341 kg
Editeur: Bärenreiter
Numéro d’édition: BA9525
Cotage de l'editeur: BA09525
ISMN: 9790260104303
A further volume of Smetana's piano works reveals the composer as creator of short, lyrical pieces - moments of repose, varied in character and style. The pieces were mostly written in the 1840s-50s with the intention of composing works using all 24 keys, something which Smetana ultimately did not fully realise. The composer prepared some of them for publication himself - the first six works were published in 1851 as 'Album Leaves' op. 2, and others were issued later under the title 'Sketches', with the dedication 'to Frau Clara Schumann in deepest admiration' (opp. 4-5, 1858). This edition contains a complete collection of pieces, also including occasional compositions and posthumously-published pieces. The music in the volume is based on the 'Complete Edition of Bedrich Smetana's Piano Works' and has been provided with fingering and pedalling suggestions by the pianist and Smetana interpreter Jan Novotny.
- Urtext based on the Complete Edition of Bedrich Smetana's Piano Works
- Tried and tested fingerings by the editor
- New foreword by Jarmila Gabrielova (Cz/Eng/Ger)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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