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Fauré, Gabriel: Requiem

vocal/choral score

Op. 48
Transcrit par Focke, Martin
Édité par Stahl, Christina M. – Stegemann, Michael
Instrumentation: Voix
Instrumentation: SSolo/BarSolo/Mixed choir-SATB/2Fl/2clarinet/2bassoon/4Hn/2Trp/3trombone/timpani/harp/2V/2Va/2Vc/double bass/Org
Collection: Bärenreiter Urtext
Période: Moyen-age, romantique
Poids: 0.182 kg
Editeur: Bärenreiter
Numéro d’édition: BA9461-90
Cotage de l'editeur: BA09461-90
ISMN: 9790006540099
The ' Messe de Requiem' is probably the internationally best-known and most frequently performed work by Gabriel Fauré . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.
Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both soloists and choir give the work a gentle and optimistic character.
The vocal score is based on the volume of the ' Complete Works of Gabriel Fauré ' (BA 9461) published in 2010. It is important to note that this vocal score is also compatible with the first small-scale version as well as the second chamber orchestra version.
- High-qual ity Urtext edition based on the ' Complete works of Gabriel Fauré '
- First systematic evaluation of all sources
- Based on the large orchestral version of 1900
- Informative Foreword (Ger/Eng)
- Vocal score suitable for all versions of the Requiem

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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