Prix: $44.30 (excl. TVA)
Disponibilité en-ligne: Sur commande. Expédié sous 16 jours ouvrables.
Disponibilité en magasin: Sur commande. Expédié sous 16 jours ouvrables.

Franck, César: Frühe Orgelwerke / Fragmente 3

partition de concert

Édité par Strucken-Paland, Christiane
Instrumentation: Orgue
Instrumentation: Org
Période: Moyen-age, romantique
Degré de difficulté: 4
Poids: 0.507 kg
Date du parution: 2018
Editeur: Bärenreiter
Numéro d’édition: BA9291
Cotage de l'editeur: BA09291
ISMN: 9790006538997

Bärenreiter has joined forces with the International César Franck Society to produce a five-volume complete edition of the organ works of César Franck. In addition to all accessible sources, it draws on previously neglectedmanuscripts, making it possible to offer a reliable musical text based on meticulous text-critical comparisons. Text variants, cases of doubt and editorial decisions are recorded in a comprehensive CriticalCommentary.

Volume 1, edited by Christiane Strucken-Paland, is

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

LETTRE D’INFORMATION

Ici vous pouvez vous inscrire à nos lettres d’information.

REJOIGNEZ UNE COMMUNAUTÉ

de mélomanes, d'éducateurs et d'interprètes