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Mendelssohn-Bartholdy, Felix: Symphony

partition

Op. 90
Édité par Hogwood, Christopher
Instrumentation: Orchestre
Instrumentation: 2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/timpani/Str
Collection: Bärenreiter Urtext
Période: Moyen-age, romantique
Poids: 0.705 kg
Editeur: Bärenreiter
Numéro d’édition: BA9094
Cotage de l'editeur: BA09094
ISMN: 9790006538218

In 1832, the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony, the ''Italian'',based on Mendelssohn’s experiences in Italy in 1830 and 1831. The work was premiered in 1833, conducted by the composer.

Today, the Italian Symphony has a firm place in the canon of classicalmasterworks, though at its premiere and both t

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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