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Haydn, Franz Joseph: Die drei- und vierstimmigen Gesänge

partition de concert

Édité par Paumgartner, Bernhard
Instrumentation: Voix et piano
Instrumentation: voices/piano
Période: Classique
Langue: allemand, français
Degré de difficulté: 3
Duration: 2:30
Poids: 0.207 kg
Editeur: Bärenreiter
Numéro d’édition: BA901
Cotage de l'editeur: BA00901
ISMN: 9790006406548

Die drei- und vierstimmigen Ges&auml,nge

This edition contains all Haydn's three and four part songs for mixed voices. They are all from Haydn's last most mature period, and are undoubtedly the best that he created in thegenre of song - pieces of the highest value, cheerful, full of great urgency.

Since their structure also allows for performance by chorus they already belong to the standard repertoire of many choirs.

Contenu

1.
Dreistimmige Lieder [Haydn, Joseph]
2.
Betrachtung des Todes Hob. XXYb:3 [Haydn, Joseph]
3.
An den Vetter Hob. XXVb:1 [Haydn, Joseph]
4.
Vierstimmige Lieder [Haydn, Joseph]
5.
Die Beredsamkeit Hob. XXVc:4 [Haydn, Joseph]
6.
Warnung Hob. XXVc:6 [Haydn, Joseph]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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