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Rameau, Jean-Philippe: Acante et Céphise ou La sympathie

Pastorale héroique in 3 acts

partition

Édité par Berton-Blivet, Nathalie
Paroles de Marmontel, Jean-François
Instrumentation: Orchestre
Instrumentation: Orch
Période: Baroque
Duration: 0:32
Poids: 0.345 kg
Date du parution: 2015
Editeur: Bärenreiter
Numéro d’édition: BA8897
Cotage de l'editeur: BA08897
ISMN: 9790006561445
The genre ''pastorale héroique'' is a legacy of the grand siecle of Louis XIV and in the 18th century it only rarely reached the stage. But in the second period of his career it became Rameau’s preferred genre: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action, stage décor and musical virtuosity compared to the tragédielyrique. This is demonstrated to masterly effect in ''Acanthe et Céphise'' (1751), where even the ballets are fully integr
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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