Piano Album
Bärenreiter Contemporary Composers
partition de concert
Players experience the anatomy of an individual note, grasp what 'touch' means, and experience the piano as a continent of undreamt-of musical possibilities. The pieces which result from improvisation encourage experimentation in the area of spontaneous music-making. Many of the works included here were composed recently especially for this unusual album, or are published for the first time. The cover has been designed by the artist ' rosalie ', reflecting the lively and varied contents. The collection includes a broad spectrum of repertoire ranging from easy to more demanding works.
- A varied and attractively presented album, with cover design by ' rosalie '
- Contemporary music for beginners to advanced pianists
- With suggestions for your own improvisation
- Includes information (Ger/Eng) on the pieces
Contenu | ||
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1. | Retour | |
2. | Zwei Intermezzi | |
3. | Famisi | |
4. | Zwei leichte Klavierstücke | |
5. | "...es werden nur Steine bleiben."in mem.Erich Fried | |
6. | Four short pieces | |
7. | Klavierstück 2 "a una voce - a due mani" | |
8. | Thema und 39 Variationen | |
9. | Prelude | |
10. | Nachtsück, klavierstück nr.1 | |
11. | On a clear day | |
12. | Abbracci auguri | |
13. | Silberne Schnur | |
14. | Sous mes yeux | |
15. | Ta vétsi | |
16. | Meditation | |
17. | Canzonetta | |
18. | Prélude No.1 Nocturne | |
19. | In nomine Leon(h)ardi |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
