Middelschulte, Wilhelm: Original Compositions IV.1
partition de concert
As a virtuoso organist he had a formative impact on American organ music: even Ferruccio Busoni called him a ‚master of counterpoint' and the greatest contrapuntal composer since J. S. Bach.
The Concerto for Organ is a masterpiece of contrapuntal inversion. The thematic material of all five movements is taken from the theme of the great Organ Fugue in E minor BWV 584/2 by Johann Sebastian Bach. The ' Canonic Fantasy' is in the form of a passacaglia, whose theme and contrapuntal inversions are taken from the BACH motif. The virtuoso ' Perpetuum mobile' for pedal solo is one of the works which Middelschulte performed most frequently.
- First Urtext edition of Middelschulte's complete organ works
- Each volume contains a detailed foreword and Critical Commentary (Ger/Eng)
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
