Middelschulte, Wilhelm: Original Compositions IV.1
partition de concert
Middelschulte's śuvre consists entirely of organ works. He was a 'modern classicist' firmly rooted in the 19th century tradition, yet strongly attached to baroque contrapuntal forms, and especially the works of Johann Sebastian Bach, with which he sought to rise above the compositional norm of his time. The result was a combination of romantic virtuosity with a vision of music that was anything but antiquarian, despite its historical models.
The D minor Passacaglia works on the same formal level as Bach's famous Passacaglia in C minor. The Canons and Fugue on ' Vater unser im Himmelreich ' demonstrate t he formal rigour that typifies Middelschulte's music as a whole.
- First Urtext edition of Middelschulte's music
- Every volume has a detailed preface and critical report (German / English)
- Scheduled to include six volumes
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
