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Sweelinck, Jan Pieterszoon: Complete Organ and Keyboard Works - Varations on Song and Dance Tunes IV.1

Urtext

partition de concert

Édité par Rampe, Siegbert
Instrumentation: Clavier, Orgue
Instrumentation: Org/harpisc./piano
Période: Renaissance
Langue: anglais
Poids: 0.347 kg
Editeur: Bärenreiter
Numéro d’édition: BA8487
Cotage de l'editeur: BA08487
ISMN: 9790006526727
The central importance of Jan Pieterszoon Sweelinck (1562-1621) for baroque keyboard music can hardly be overestimated. Siegbert Rampe's scholarly performance edition is the first edition of Sweelinck's complete keyboard works which differentiates between ‚works of certain authenticity' and ‚works of doubtful authenticity'. For the first time Volumes III.1 and III.2 inclu de all chorale arrangements attributed to Sweelinck or handed down under his name. Volumes IV.1 and IV.2 include all dance and song variations.
- Definitive complete Urtext edition
- Each volume contains facsimiles and a Critical Commentary (Ger/Eng) with a list of sources
- Detailed forewords (Ger/Eng) on the structure of the works and editorial technique  
- With tips on instrumentation and performance practice
- Notes on ornamentation

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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