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Guilmant, Félix-Alexandre: Selected Organ Works

partition de concert

Édité par Kalipp, Wolf
Instrumentation: Orgue
Instrumentation: Org
Degré de difficulté: 4
Poids: 0.633 kg
Editeur: Bärenreiter
Numéro d’édition: BA8408
Cotage de l'editeur: BA08408
ISMN: 9790006506088
Alexandre Guilmant was organist at the Trinity Church in Paris and a professor at the Conservatoire. His influence was widespread and an entire school was founded on his playing.
Guilmant's eight organ sonatas are classics of the French Romantic organ tradition and belong to the core repertoire of organists everywhere. His late organ sonatas in particular draw on the idiomatic styles of Beethoven, Mendelssohn and Schumann while paying homage to the Belle Époque.
-First scholarly-critical edition of Guilmant's organ music
-Based on latest scholarly research. Includes previously unexplored sources
-Included in each volume is a detailed foreword (Fr/Eng/Ger), critical report (Ger) with an initial explanatory text (Fr/Ger/Eng), and catalogue of sources
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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