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Froberger, Johann Jacob: Froberger,New Edititon of the Comp.Works.II.

édition complete

Édité par Rampe, Siegbert
Instrumentation: Clavier
Instrumentation: piano/Org
Période: Baroque
Degré de difficulté: 4
Poids: 0.643 kg
Editeur: Bärenreiter
Numéro d’édition: BA8064
Cotage de l'editeur: BA08064
ISMN: 9790006488346

The second edition of Johann Jacob Froberger's New Edition Of The Complete Keyboard And Organ Works - Volume 2 offers professional musicians, musicologists as well as interested amateurs alike amusical text that meets the needs of performers while supplying a comprehensive account of all the known sources and their origins.

This volume includes many works newly discovered by the editor. This Urtext edition isscheduled to appear in five volumes ending with a co

Contenu

1.
Libro Quarto (1656)
2.
Toccaten FbWV 107-112
3.
Ricercare FbWV 407-412
4.
Capricci FbWV 507, 508, 514-517
5.
Partiten FbWV 607-612
6.
Libro di capricci et ricercate (ca. 1658):
7.
Capricci FbWV 501-506
8.
Ricercare FbWV 401-406
9.
Anhang: Fuge FbWV 407a / Gigue FbWV 607a / Partita FbWV 611a
10.
Nachtrag zur zweiten Auflage
11.
Kritischer Bericht
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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