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Ravel, Maurice: Concerto for the Left Hand

for Piano and Orchestra

partition

Édité par Woodfull-Harris, Douglas
Instrumentation: Piano et orchestre
Instrumentation: piano/Fl1/Fl2/Fl3(Picc)/2Ob/EnglHn/clarinet(in es)/2clarinet/clarinet-B/2bassoon/bassoon-Co/4Hn/3Trp/3trombone/Tb/timpani/Tri/Tamb/Be/Tr-Gr/Tr-Hob/Tam/harp/2V/Va/Vc/double bass
Collection: Bärenreiter Urtext
Poids: 0.534 kg
Date du parution: 2016
Editeur: Bärenreiter
Numéro d’édition: BA7881
Cotage de l'editeur: BA07881
ISMN: 9790006506750
In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able t
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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