Prix: $18.30 (excl. TVA)
Disponibilité en-ligne: Sur commande. Expédié sous 16 jours ouvrables.
Disponibilité en magasin: Sur commande. Expédié sous 16 jours ouvrables.

Mozart, Wolfgang Amadeus: Missa

for Soloists, Choir and Organ

Transcrit par Focke, Martin
Instrumentation: Choeur et instruments
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/Org
Période: Classique
Degré de difficulté: 3
Poids: 0.264 kg
Editeur: Bärenreiter
Numéro d’édition: BA7521
Cotage de l'editeur: BA07521
ISMN: 9790006527953

This Mozart Mass (together with BA 7520 & BA 7522) have been arranged for solo voices, chorus and organ from the Urtext of the ''New Mozart Edition'', thereby making them accessible in all their beauty to choruses and churchchoirs with limited financial means at their disposal.

Martin Focke has based the ''concertante'' organ parts on the orchestral writing, doing full justice to the timbre of the original. The solo parts and choruses, ofcourse, leave the Urtext of the ''New Mozart Ed

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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