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Vivaldi, Antonio: Complete Sonatas for Violoncello and Basso continuo RV 39-47

partition et parties

Édité par Hoffmann, Bettina
Instrumentation: Violoncelle et piano
Instrumentation: Vc/Bc
Collection: Bärenreiter Urtext
Période: Baroque
Poids: 0.766 kg
Editeur: Bärenreiter
Numéro d’édition: BA6995
Cotage de l'editeur: BA06995
ISMN: 9790006520596
This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI ╩ an edition probably made without the composer’s consent ╩ the editor has examined the Naples and W

Contenu

1.
Sonata I In B Flat RV 47
2.
Sonata II In F RV 41
3.
Sonata III In A Minor RV 43
4.
Sonata In B Flat RV 46
5.
Sonata IV In B Flat RV 45
6.
Sonata IX In G Minor RV 42
7.
Sonata V In E Minor RV 40
8.
Sonata VII In A Minor RV 44
9.
Sonata VIII In E Flat RV 39
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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