Prix: $21.00 (excl. TVA)
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Disponibilité en magasin: Sur commande. Expédié sous 16 jours ouvrables.

Haydn, Franz Joseph: The London Trios

for 2 Flutes and Violoncello

parties

Édité par Balet, Leo
Instrumentation: Ensemble de chambre
Instrumentation: 2Fl/Vc
Période: Classique
Degré de difficulté: 3
Poids: 0.163 kg
Editeur: Bärenreiter
Numéro d’édition: BA6897
Cotage de l'editeur: BA06897
ISMN: 9790006483532
The Flute trios which Joseph Haydn composed in London in 1794 are spirited pieces similar to divertimenti. They first became known thanks to Leo Balet's carefully prepared edition of 1933. These trios, which are ofmoderate difficulty and let both Flutes partake in the musical activity to an equal extent, have won a permanent place in Flute teaching as well as in home music making.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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