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Rossini, Gioacchino Antonio: Il Barbiere di Siviglia Overture

for Woodwind Quintet

parties

Transcrit par Linckelmann, Joachim
Instrumentation: Ensemble de chambre
Instrumentation: Fl/Ob/clarinet/bassoon/Hn
Période: Classique
Degré de difficulté: 4
Poids: 0.104 kg
Editeur: Bärenreiter
Numéro d’édition: BA6873
Cotage de l'editeur: BA06873
ISMN: 9790006498789
The wind quintet arrangements of these two well-known overtures inaugurates a new series of arrangements for a combination of instruments whose timbral variety and diversity seem truly prede- stined to make such works accessible to the world of chamber music. Our series follows in the footsteps of countless period arrangements for wind ensemble, many of them by the original compo- sers. The only difference is that we employ a scoring devised in the early 19th century by the Franco-Czech composer Anton Reicha and raised to its present level of virtuosity by the invention of the valve horn.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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