Schütz, Heinrich: Geistliche Chor-Music SWV 381-397
The six and seven-part motets, nos. 13-29
vocal/choral score
The Heinrich Schütz: Sacred Choral Music collection can be performed vocally and/or instrumentally. These motets offer smaller choirs and ensembles new possibilities to perform these works, based onhistorically-informed performance practice.
The Basso Continuo realisation follows the composer’s intention of using the score merely as a basis for performance, but with its relatively simple realisation it allowsperformers to create their own version.
Heinrich
Contenu | ||
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1. | O Lieber Herre Gott, Wecke Uns Auf SWV 381 | |
2. | Tröstet, tröstet Mein Volk SWV 382 | |
3. | Ich Bin Eine Rufende Stimme SWV 383 | |
4. | Ein Kind Ist Uns geboren SWV 384 | |
5. | Das Wort Ward Fleisch SWV 385 | |
6. | Die Himmel Erzählen Die Ehre Gottes SWV 386 | |
7. | Herzlich Lieb Hab Ich Dich, O Herr SWV 387 | |
8. | Das Ist Je Gewisslich Wahr SWV 388 | |
9. | Ich Bin Ein Rechter Weinstock SWV 389 | |
10. | Unser Wandel Ist Im Himmel SWV 390 | |
11. | Selig Sind Die Toten, Die In Dem Herren Sterben SWV 391 | |
12. | Was Mein Gott Will, Das Gscheh Allzeit SWV 392 | |
13. | Die Siebenstimmigen Motetten | |
14. | Ich Weiß, Dass Mein Erlöser Lebt SWV 393 | |
15. | Sehet An Den Feigenbaum Und Alle Bäume SWV 394 | |
16. | Der Engel Sprach Zu Den Hirten SWV 395 | |
17. | Auf Dem Gebirge Hat Man Ein Geschrei Gehört SWV 396 | |
18. | Du Schalksknecht, Alle Diese Schuld Habe Ich Dir Erlassen SWV 397 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
