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Mozart, Wolfgang Amadeus: Missa in C maj K. 220 - Sparrow Mass

partition

Édité par Senn, Walter
Instrumentation: Voix, choeur et orchestre
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Trp/3trombone/timpani/2V/Bassi(Vo/bassoon)/Org
Collection: Bärenreiter Urtext
Période: Classique
Degré de difficulté: 3
Duration: 0:18
Pages: 37 pp
Poids: 0.191 kg
Editeur: Bärenreiter
Numéro d’édition: BA5343
Cotage de l'editeur: BA05343
ISMN: 9790006468362

Mozart’s ''Missa in C major'' (K.220), nicknamed the ''Sparrow Mass'' for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day.

The''Sparrow Mass'' is one of the most significant pieces of church music from Mozart’s years in Salzburg.

Thanks to its clarity and largely homophonic texture, it remains even today a work that is easily mastered inchurch and concert hall performances.


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100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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