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Bach, Johann Sebastian: Concerto a due Cembali senza ripieno

partition de concert

Édité par Heller, Karl – Schulze, Hans-Joachim
Instrumentation: Clavier
Instrumentation: piano/harpisc.
Collection: Bärenreiter Urtext
Période: Baroque
Poids: 0.146 kg
Editeur: Bärenreiter
Numéro d’édition: BA5245
Cotage de l'editeur: BA05245
ISMN: 9790006531950
Like the Italian Concerto for solo harpsichord (BWV 971), the Concerto a due cembali is Bach's only concerto expressly written for two unaccompanied harpsichords. He probably composed it in Leipzig some time around 1733, later he provided an alternative version with a string ripieno in the first and third movements. The original version for two unaccompanied harpsichords appeared for the first time as a scholarly-critical edition in the 'New Bach Edition'.
It forms the basis of our new performing edition, which draws on the latest findings of scholarship to provide an ideal foundation for the most discerning musicians.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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