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Bach, Johann Sebastian: Fürchte dich nicht, ich bin bei dir

Motet for 2 four-part Mixed Choirs

vocal/choral score

Édité par Ameln, Konrad
Instrumentation: Choeur mixte
Instrumentation: 2Mixed choir-SATB/Instr ad lib.(Ob/2Ob-dacc/EnglHn/bassoon/Str/Bc)
Collection: Bärenreiter Urtext
Période: Baroque
Degré de difficulté: 4
Pages: 20 pp
Poids: 0.078 kg
Editeur: Bärenreiter
Numéro d’édition: BA5133
Cotage de l'editeur: BA05133
ISMN: 9790006465262
All of Bach's six authenticated motets were written between 1723 and 1727 for St Thomas' Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions for special occasions.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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