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Mozart, Wolfgang Amadeus: Veni Sancte Spiritus

partitions de chorale

Édité par Federhofer, Hellmut
Instrumentation: Voix, choeur et orchestre
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Hn/2Trp/timpani/Str/Org
Collection: Bärenreiter Urtext
Période: Classique
Degré de difficulté: 3
Duration: 0:04
Pages: 13 pp
Poids: 0.103 kg
Editeur: Bärenreiter
Numéro d’édition: BA4883
Cotage de l'editeur: BA04883
ISMN: 9790006458738
Mozart‚s 'Veni Sancte Spiritus' K. 47 was composed in 1768 in Vienna. The two-part setting of the Pentecost sequence 'Veni Sancte Spiritus' follows the text of the antiphon 'Ad invocandum Spiritum Sanctum' and leads into the 'Alleluia'.
The music composed by young Mozart is characterized by alternating solo and tutti passages, while entries composed in an imitative style bear witness to the exacting schooling of the boy, as well as the influence of Salzburg church music composers Leopold Mozart, Johann Ernst Eberlin and Michael Haydn.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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