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Mozart, Wolfgang Amadeus: Missa

partition

Édité par Holl, Monika
Instrumentation: Voix, choeur et orchestre
Instrumentation: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Trp/3trombone/timpani/2V/Bassi (Vc/double bass/bassoon)/Org
Collection: Bärenreiter Urtext
Période: Classique
Degré de difficulté: 3
Poids: 0.547 kg
Editeur: Bärenreiter
Numéro d’édition: BA4881
Cotage de l'editeur: BA04881
ISMN: 9790006458578

Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317, 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317, this work, together witha new church sonata (K. 336/336), will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes, solo bassoon, trumpets and timpani (but without horns) only serves tostrengthen such a supposition.

What

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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