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Mozart, Wolfgang Amadeus: Mozart, Concerto for Violin

partition

Édité par Mahling, Christoph Hellmut
Instrumentation: Violon et orchestre
Instrumentation: V-solo/2Ob/2Hn/Str
Collection: Bärenreiter Urtext
Période: Classique
Pages: 52 pp
Poids: 0.249 kg
Editeur: Bärenreiter
Numéro d’édition: BA4863
Cotage de l'editeur: BA04863
ISMN: 9790006457700

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of thefive concertos for Violin and orchestra as well as several single movements for the same scoring.

The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied thepost of concertmaster to the Prince-Archbish

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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