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Mozart, Wolfgang Amadeus: Cosi fan tutte ossia La scuola degli amanti

Dramma giocoso in two acts

vocal/choral score

Transcrit par Baumann, Rasmus
Édité par Ferguson, Faye – Rehm, Wolfgang
Paroles de Da Ponte, Lorenzo
Traduit par Honolka, Kurt
Instrumentation: Voix
Instrumentation: 3Sg-S-solo,Sg-T-solo,2Sg-B-solo,MixCh-SATB,2Fl,2Ob,2Clar,BaHn,2bassoon,2Hn,2Trp,timp.,Str,Bc
Collection: Bärenreiter Urtext
Période: Classique
Langue: allemand, italien
Duration: 03:00:00
Poids: 1.417 kg
Date du parution: 2019
Editeur: Bärenreiter
Numéro d’édition: BA4606-93
Cotage de l'editeur: BA04606-93
ISMN: 9790006568864
Due to numerous customer requests, Bärenreiter is successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a slightly lower-priced and lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a singer’s life.<brThis hardback vocal score of Cosi fan tutte is based on the respective volume
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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