Händel, Georg Friedrich: The Lord is my light
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During this time he wrote the so-called Chandos Anthems, a set of eleven 'Anglican cantatas' with instrumental accompaniment. 'The Lord is my light' (HWV 255), with its eleven movements, is not only the longest composition in the set, it also has the largest proportion of newly composed material.
This anthem, published with the Urtext of the Halle Handel Edition, is especially noteworthy for its varied and self-sufficient orchestral accompaniment, which lends a fitting backdrop to the festive chorus and equally festive solo numbers.
Both the full score and the vocal score contain a German translation alongside the original English.
Scoring
Soloists (STT), chorus (SATTB), 2 recorders, oboe, strings, continuo
- Urtext at the forefront of musical scholarship
- First separate edition for performance purposes
- Based on the Urtext from the Halle Handel Edition
- Straightforward and easy-to-play piano reduction
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
