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Händel, Georg Friedrich: Deidamia

Opera in 3 acts

vocal/choral score

Édité par Best, Terence
Traduit par Pacholke, Michael
Paroles de nach Paolo Antonio Rolli
Instrumentation: Voix
Instrumentation: 3SSolo/MezSolo/2BSolo/Mixed choir-SATB/piano
Collection: Bärenreiter Urtext
Période: Baroque
Poids: 0.688 kg
Editeur: Bärenreiter
Numéro d’édition: BA4070-90
Cotage de l'editeur: BA04070-90
ISMN: 9790006507436
Handel's 'Deidamia' was premiered on 10 January 1741 only a few weeks after ' Imeneo '.
The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work ' Deidamia '. On 10 February 1741 the third and final opera performances of this work took place under Handel's direction. Oddly enough ' Deidamia ' would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. 'Deidamia' is the last great opera in a series of masterpieces: ' Orlando ', ' Poro ', ' Ezio ', ' Ariodante ', ' Alcina ', ' Serse ' and ' Imeneo '.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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