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Händel, Georg Friedrich: Tolomeo, Re d'Egitto

Dramma per musica in 3 acts

vocal/choral score

Paroles de Haym, Nicola Francesco
Traduit par Pacholke, Michael
Instrumentation: Voix
Instrumentation: 2SSolo/MezSolo/ASolo/BSolo/2recorder-A/Fl/2Ob/bassoon/2Hn/Str/Bc
Collection: Bärenreiter Urtext
Période: Baroque
Poids: 0.749 kg
Editeur: Bärenreiter
Numéro d’édition: BA4058-90
Cotage de l'editeur: BA04058-90
ISMN: 9790006499328
' Tolomeo ' was Handel's last opera for the Royal Academy of Music in London . Composed between March and 19 April 1728, it was premiered on 30 April. Handel revived the opera several times further: in 1730 in an extensive revision, with seven performances, and in 1733 with four performances.
The historical background is the dispute between Cleopatra III and her younger son Ptolemaio X Alexander I ( Tolomeo ). In 110 BC Cleopatra drove Tolomeo out of Egypt . She died, irreconciled to him, in 101 BC.
The new vocal score is based on the 'Halle Handel Edition' (vol. II/20), published in 2000. The main part contains the version from the premiere. The extensive appendix also enables later versions to be performed.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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