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Purcell, Henry: Evening Service

Magnificat and Nunc dimittis

vocal/choral score

Édité par Just, Herbert
Instrumentation: Choeur et soliste(s)
Instrumentation: 2SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB
Période: Baroque
Degré de difficulté: 3
Poids: 0.038 kg
Editeur: Bärenreiter
Numéro d’édition: BA2923
Cotage de l'editeur: BA02923
ISMN: 9790006427628

The present 'Evening Service' is one of the few works in which Pucell sets to music portions of the liturgy, whereas most of the church music of the Master consists of anthems, i.e. cantata-like compositions with biblical text. The alternative between chorus (full) and soloists (verse), so characteristic of this composition, may if necessary be replaced by contrasting large and small chorus.

Soprano solo (2), Alto solo, Tenor solo, Bass solo,Mixed choir (SATB)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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