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Beethoven, Ludwig van: Three Sonatas

for Pianoforte

partition de concert

Op. 31
Édité par Del Mar, Jonathan
Instrumentation: Piano
Instrumentation: piano
Collection: Bärenreiter Urtext
Période: Classique
Langue: tcheque, anglais, allemand
Degré de difficulté: 5
Poids: 0.506 kg
Date du parution: 2017
Editeur: Bärenreiter
Numéro d’édition: BA11805
Cotage de l'editeur: BA11805
ISMN: 9790006561780
With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed ''Tempest'' which already fascinatedhis contemporaries. According to Anton Schindler, who asked the composer about the ''key'' to this work as well as to the sonata op. 57 (''Appassionata''), Beethoven advised him: ''Just read Shakespeares Tempest''.Jonathan Del Mar, currently one of th
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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