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Glazunov, Alexander: Complete Organ Works

partition de concert

Édité par Fiseisky, Alexander
Instrumentation: Orgue
Collection: Bärenreiter Urtext
Période: Moyen-age, romantique
Langue: allemand
Degré de difficulté: 4
Poids: 0.305 kg
Date du parution: 2018
Editeur: Bärenreiter
Numéro d’édition: BA11222
Cotage de l'editeur: BA11222
ISMN: 9790006559138

Glazunov&rsquo,s compositions are often noted for their distinctive emotionality and underlying heroic mood. This also applies to the known organ works of this Russian master, all of which bear the characteristic traits of theRussian symphonic style: epic breadth and monumentality as well as a close proximity to folk music, all combined with supreme contrapuntal skill.

This Urtext edition contains not only the well-known Prelude and Fugue in Dmajor Op.93 (1906), Prelude and Fugue in D m

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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