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Pintscher, Matthias: Now I

for piano

partition de concert

Instrumentation: Piano
Instrumentation: piano
Degré de difficulté: 5
Pages: 6 pp
Poids: 0.107 kg
Editeur: Bärenreiter
Numéro d’édition: BA11073
Cotage de l'editeur: BA11073
ISMN: 9790006562084
This piano work, composed on the occasion of Pierre Boulez's ninetieth birthday, refers in its title to American artist Barnett Newman, who numbers among the twentieth-century abstract expressionists.In his famous essay 'The Sublime is Now,' Newman wrote in 1947:
'The image we produce is the self-evident one of revelation, real and concrete, that can be understood by anyone who will look at it without the nostalgic glasses of history.'
This music turns out to be an emphatic experience as soon as one makes the attempt to forget one's playing and listening experience and personal conditioning, as far as that is possible.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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