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Haydn, Franz Joseph: Haydn, Symphony F minor Hob. I:49 'La passione'

partition

Édité par Mörner, Carl-Gabriel Stellan
Instrumentation: Orchestre
Instrumentation: 2Ob/bassoon/2Hn/2V/Va/Basso
Période: Classique
Degré de difficulté: 3
Poids: 0.127 kg
Editeur: Bärenreiter
Numéro d’édition: BA10973
Cotage de l'editeur: BA10973
ISMN: 9790006543663
Haydn’s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popularworks today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia Symphony (No. 48, BA 10972), but also gems such as La passione (No.49). The publication of this symphony prese
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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