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Romantic Hits

for 2 Flutes

partition de concert

Édité par Wächter, Edmund – Weinzierl, Elisabeth
Instrumentation: Flutes
Instrumentation: 2Fl
Collection: Ready to Play
Période: Classique
Langue: anglais, allemand
Degré de difficulté: 3
Pages: 27 pp
Poids: 0.132 kg
Editeur: Bärenreiter
Numéro d’édition: BA10643
Cotage de l'editeur: BA10643
ISMN: 9790006563241
Arrangements of familiar pieces for two flutes were very popular in the romantic era. This enabled works which were current at that time to be played in salons and at home. Folk songs, opera arias, piano and concert pieces were arranged by suchfigures as Giuseppe Gariboldi, Kaspar Kummer and Ernesto Köhler. Elisabeth Weinzierl and Edmund Wächter have selected and arranged the most beautiful and best-known pieces for this edition making these melodies accessible even to the less experiencedmusici

Contenu

1.
Freude, sch?ner G?tterfunken aus Sechsunddreiáig Walzer op. 9/2 D 365
2.
Wiegenlied op. 98/2 D 498
3.
Leise, leise, fromme Weise aus Der Freisch▓tz
4.
Trauerwalzer aus Sechsunddreiáig Walzer op. 9/2 D 365
5.
Ma non fia sempre odiata aus Il Pirata
6.
Das Wandern ist des M▓llers Lust op. 25. Jan D 795
7.
Fr▓hlingsgruá op. 79/4
8.
Heidenr?slein op. 03. Mrz D 257
9.
S?, fino all'ore estreme aus Norma
10.
Marche fun?bre op. 35
11.
Fur le nozze a lei funeste aus Lucia di Lammermoor
12.
Marienw▓rmchen op. 79/14
13.
Die Forelle op. post. 114 D 667
14.
Ah! Gran Dio! Morir s? giovine aus La Traviata
15.
Lied ohne Worte op. 102/6
16.
J?gerchor aus Der Freisch▓tz
17.
R kcczi-Marsch
18.
Das Fischerm?dchen aus Schwanengesang D 957
19.
Radetzky-Marsch op. 228
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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