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Rossini, Gioacchino Antonio: Andantino et Allegro brillante pour Harpe

partition de concert

Édité par Brauner, Patricia B.
Instrumentation: Harpe
Instrumentation: harp
Collection: Bärenreiter Urtext
Poids: 0.081 kg
Editeur: Bärenreiter
Numéro d’édition: BA10541
Cotage de l'editeur: BA10541
ISMN: 9790006537037
This short work, composed by Rossini in May 1832, comprises an introduction and an Allegro in three parts. The opening melody of the Allegro is an early example of Rossini's re-use of musical material. The melody had been used previously in ' Assult de Varsavie ' , ' Pas Redoublé ' , a march for military band which Rossini had dedicated to Tsar Nicholas.
This composition is one of only a small number of chamber works by Rossini. It is an important contribution to the harp literature and will soon find its place in the standard repertoire. The edition is based on the first volume of the new Barenreiter edition of the ' Works of Gioachino Rossini' (BA 10511). It is the first critical edition of the work.
- Urtext based on the 'Works of Gioachino Rossini'
- First critical edition of the work
- With a detailed foreword (Ger/Eng/Ital) and Critical Commentary (Eng)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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