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Dvořák, Antonín: Serenade

for String Orchestra

partie seul

Op. 22
Édité par Tait, Robin
Instrumentation: Alto partie
Collection: Bärenreiter Urtext
Période: Moyen-age, romantique
Pages: 14 pp
Poids: 0.065 kg
Date du parution: 2016
Editeur: Bärenreiter
Numéro d’édition: BA10423-79
Cotage de l'editeur: BA10423-79
ISMN: 9790260107564

Dvo ák’s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875, when he had just experienced his first successes at theconductor’s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock, Berlin, in 1879.

This Urtext edition is based on the composer’s autograph score. It corrects mistakes found inthe first edition and so, for the first tim

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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