Like the Eroica Variations op. 35, the Variations op. 34, were composed in 1802 on an original theme. The new fashion Beethoven declared for both works to his publisher becomes apparent in opus 34 through the constant change ofkeys - from one variation to the next, new tone colors and moods continue to unfold, spanning the pastoral and the funereal, while the melody of the theme remains largely unaltered. For the first time, the Variations op. 34, arenow available from Henle in a standalone edit